• Everything is Connected

    Rapt Studio's design for Adobe's new Utah campus brings employees, clients and nature together in the pursuit of innovation. 
    April 26, 2013
    15 min read

    Contact & Sources

    Adobe Systems’ 2009 acquisition of web analytics firm Omniture was regarded by many in the tech industry as a bold move, so perhaps it’s fitting that the company’s new campus in Lehi, Utah, makes an equally bold statement.

    Home to more than 1,000 Adobe and former Omniture employees, the 600,000-square-foot campus, designed by WRNS Studio, captures the imagination with a contemporary expression, picturesque views of the surrounding Utah Valley and copious amounts of light.

    The sense of connection stirred up by both the architecture and natural setting continues inside, thanks to an inspired design from San Francisco-based Rapt Studio. Filled with thoughtful touches, expressive graphics and brilliant amenities, the interiors create a unified culture rooted in innovation.

    “As we started to have conversations about what their brand meant to their employees, it became apparent that the way they used to think about the workplace and its connection to its employees had to be rethought in a way,” explains Cory Sistrunk, principal and leader of Rapt’s Branding Design and Consulting practice.

    “The intention was to build a space that was true to the local flavor, that seemed genuine, that wasn’t the typical granite-clad office building, and that made a meaningful connection between their employees and the brand of the new Adobe.”

    For the design team, “local flavor” included features like a climbing wall, fitness center and an NBA-quality basketball court—cantilevered over a spacious café, no less—all in a nod to employees’ active lifestyles. Floor-to-ceiling 12-foot glass walls along the perimeter provide expansive views of the surrounding valley, as well as spaces throughout the building.

    The design is Adobe as it aspires to be in a new era of digital integration. Everything is connected, and everything must work as one.

    “The way the master plan was developed, the atrium has the green views, and the landscape basically rolls right through the building,” Sistrunk says. “All of the offices are built inboard and the space is dripping with connections between who they are as a brand, why they’re important to their customers, and why they should matter to their employees.”

    The messaging begins from the moment you step foot onto the campus, and is leveraged at every conceivable opportunity. Customers and employees alike are greeted by a wall of monitors in the reception area that show the Adobe logo in close proximity to a collection of customer logos, while bold wayfinding graphics speak to the company’s prominent place at the intersection of technology and design. A well-appointed network operations center showcases the breadth of Adobe’s ability to handle data across the globe, while the customer experience center includes classrooms and other educational settings.

    Of course, this campus is more than a mere brand ambassador—it has been designed to serve as a well of inspiration for employees, many of whom commute from cities like Orem and Salt Lake each day. Oversized and stylized typefaces pay homage to Adobe’s place in the early days of computerized type, while themed conference rooms patterned after great innovators connect employees to the past—and, as Adobe hopes, the future. PageBreak

    “You’re not hit with just Adobe products on the wall,” says David Gallulo, Rapt’s CEO and design principal. “You go to a meeting in the Jackson Pollock conference room and it’s wrapped in a Pollock painting on the glass, and you’re reminded, ‘Okay, maybe I should break some rules today because innovation comes from being an outlier.’ That was important to Adobe, and therefore every piece of that building reminds them of that.”

    “Jackson Pollock is one thing,” Sistrunk adds, “but we’ve got walls covered in computer mice that are dipped in paint that are all purple, except one, reminding people that it’s okay to be different.”

    Another thought-provoking touch can be found in the main atrium, where a commissioned mural by artist El Mac captures the creativity and innovation at work by Adobe employees, as well as the customers who make use of those tools. The spray-painted image depicts a young girl coloring, with a deep red glow emanating from where her hand meets the paper.

    WATCH: The creative process behind El Mac's mural for the Adobe Utah campus.

    “We tried to think of what would showcase either the inspired creativity that Adobe enables, or leveraging the products in a way that brought the tower of products to life,” Sistrunk says. “El Mac was chosen because even though he’s a street artist, his art appears as if he used a Photoshop filter to achieve it.”

    “It’s that concept of, even with street art, how can we tie it back to Photoshop, which is a program today’s artists are leveraging in their process?”

    The result is a space that connects everything—customers, employees, the environment and the brand itself—in a seamless and uniquely Adobe way. It’s a narrative that appeals even to those who have been there from the beginning.

    “They had an opening celebration and the two founders of Adobe showed up and took a tour through the space,” recalls Gallulo. “They turned to the executive and said, ‘We need to make a coffee table book about this building, because there are so many stories to be told here on such intense, strong, meaningful connections to the Adobe that we founded.’ Thirty years after these guys started this business, in walking through this space, they felt there was still a story to be told.”

    SOURCES:
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    ceilings
    Ceiling Systems Incorporated
    (801) 572-5367

    FLOORING/CARPET
    Interface | 1
    (800) 634-6032

    Kasthall (custom rug) | 2
    +46 320 20 59 00

    MILLWORK
    Ceiling Systems Incorporated Fondell Woodwork | 3
    (801) 768-4467

    Gill Group
    (800) 666-1418

    SEATING
    ATRIUM
    Allermuir
    (888) 887-5806

    Decca
    (612) 362-0007

    CAFETERIA
    Arper
    +39 0422 7918

    Carolina
    (800) 763-0212

    Coalesse
    (866) 645-6952

    Martin Brattrud
    (323) 770-4171

    CONFERENCE ROOMS
    Coalesse

    Herman Miller
    (616) 654-3000

    LOBBY
    Arper

    HighTower
    (816) 286-1051

    Knoll
    (800) 343-5665

    OPEN OFFICE COLLABORATIVE AREA
    Arcadia
    (800) 585-5957

    Coalesse

    Herman Miller

    HighTower | 4

    OPEN OFFICE LOUNGE
    Allermuir

    Keilhauer
    (800) 724-5665

    SURFACING
    Benjamin Moore
    (855) 724-6802

    IdeaPaint
    (800) 393-5250

    TABLES
    ATRIUM
    Decca

    Herman Miller

    CAFETERIA
    Allermuir

    Herman Miller

    CONFERENCE ROOM
    Creative Wood (custom tables)
    (510) 635-5399

    OPEN OFFICE COLLABORATIVE AREA
    Bludot
    (612) 782-1844

    Herman Miller

    INFORMAL CONFERENCING
    Creative Wood (custom tables)

    Herman Miller

    WORKSTATIONS/PRIVATE OFFICES
    Herman Miller

    UPHOLSTERY/TEXTILES
    Camira
    (317) 484-0305

    Walls
    Teknion (office fronts) | 5
    (877) TEKNION

    CONTACT:
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     client 
    adobe systems
    3900 Adobe Way
    Lehi, UT 84043
    (385) 345-0000
    www.adobe.com

     

     

     

     

     Project Team 
    interior design
    Rapt Studio
    111 Maiden Lane, Suite 350
    San Francisco, CA 94108
    (415) 788-4400

    base building design
    WRNS Studio
    501 2nd Street
    4th Floor, Suite 402
    San Francisco, CA 94107
    (415) 489-2224

    contractor
    Okland Construction

    photography
    Eric Laignel + Weston Colton

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